My work explores painting and sculpture as intuitive processes grounded in a genuine love for making.
It is a way of sharing something deeply personal. I do not approach art as something to be explained, but something to be felt.

Central to my practice is a series of forms I describe as “demons” — not figures of fear, but embodiments of emotional states that inhabit my inner world.
Each takes shape through colour and material when it encounters the real world.

I approach each surface as a collage, continuously adding, removing, and rearranging elements until something essential emerges.

Clay allows me to let go of expectations and remain present.
Each piece becomes a negotiation between control and surrender, guided by an internal rhythm.
Through sculpture, I engage with darker emotional states, transforming them into something light and colour-driven.

Painting, in contrast, is more contained — informed by traditions such as the Italian Renaissance and Sumi-e.
This foundation shapes my approach to composition and space.

The colour red recurs throughout my work as a driving force in the act of creation.
It carries tension and contradiction: danger and passion, blood and intensity.
Like the forms I create, it draws the viewer in and resists being ignored.

Together, these works form an ongoing exploration of the inner world — where opposing forces coexist and are translated into form, colour, and material.